Chess Letters, Book Letters, [Bachelor of] Legal Letters. November 9, 2009
Posted by Olivia McDowell in Blogging, Design, Etcetera, School, Typography.Tags: Bookshelves, Chess, Exams, Law School, Letters, Stress, Study, University
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No time to blog.
Too busy studying.
Would rather be playing

{ Type Chess Set by Wary Meyers via The Jailbreak }
Or maybe choosing a Book That I Actually Want To Read, from

{ Letters Bookshelf by Pieter de Leeuw via Design Milk }
Instead, there are only four letters on my mind right now:
B. LLB.*
*…Okay, technically it’s B. Comms/LLB. But in the final 5 days of 5 years’ study — having secured the “Comms” bit last semester, and now with only 2 exams to go — those 2 Ls and Bs are my only (very significant) academic concern right now.**
** If I had more free time I’d throw something in here about blubbing, study lbs, and curious palindromes. But I haven’t, so I shan’t.
Sweet (Caramel) Typeface; Sweet (Almost) Freedom October 26, 2009
Posted by Olivia McDowell in Art, Blogging, Design, Pretty!, School, Typography.Tags: caramel, dezeen, Font, sugar, thesis, Typeface, Typography, University
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…
I have finished my honours thesis.
And after an amuse bouche of post-thesis antithetical freedom, now all that stands between me and the end of 18 years of study (at this end, 5 years of University: 2 undergraduate degrees) is… 19 days, 3 assessments, 2 exams, and a whole lot of study.
Until then, I’ll satisfy my sweet tooth with this delectable caramel typeface.

{ Karamel Sans CE by Marta Maštálková, via dezeen }
OH how I adore caramel.
But I would still give all the toffee* in the world for the impending freedom flitting sweetly on the near horizon.
*Even coffee as well. Seriously.
Elvis + Helvetica? Hellsvetica yes! October 4, 2009
Posted by Olivia McDowell in Blogging, Cinema, Earworms, Etcetera, FFFFOUND!, Helvetica, Pretty!, The Ether, Typography, Videorama.Tags: Elvis, FFFFOUND!, Helvetica, Helvistica, Music, Rockabilly, Typography, youtube
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Firstly: Elvis + Helvetica = brilliant.

{by Hulk4598 on flickr, via FFFFOUND!}
This girl approves.
Now, for a bit of waffle. (Err… waffle).
Note Exhibit A, above. Young Elvis* all dolled up for the film Roustabout, in too-neat leathers with too-tidy hair . Movie tagline: “Elvis Presley as a Roving, Restless, Reckless, ROUSTABOUT”. [Insert sceptical looks here].
But also note Exhibit B:

{also by Hulk4598 on flickr, via FFFFOUND!}
Young Elvis in a rather naff suit, with an acoustic guitar that he never really played much, and a messed-up coiff that looks like he’s just come off stage after this:
(Skip to 1:00 and press play. Watch to the end. DO IT. Honestly. Just trust me on this, okay? You won’t regret it.)
Now isn’t it ironic that despite the extra “L” in Exhibit A ["Hell for leather[s]“, anyone?] Elvis was actually at the peak of his corrupting deviance not as a “Roving, Restless, Reckless, ROUSTABOUT”, but as a cheeky, messy-haired rockabilly boy?
Clearly, the 1950s were hella good for the Rebellious Youth, in music and typography.
*[as opposed to Old Elvis: let's just not go there, okay?]
PS. Much as I appreciate the sentiment, I’m not such a fan of Helvekitty.
PPS. Whatever happened to Elvis movies on Sunday afternoon TV? Oh well, at least we’ve still got:
Plastique Fantastique: Typographically accessorised September 22, 2009
Posted by Olivia McDowell in Art, Design, FFFFOUND!, Helvetica, Pretty!, Typography.Tags: CMYK, etsy, Helvetica, jewellery, Kerning, necklaces, Plastique, retail, rings, shopping
4 comments
THIS. This is what awesome looks like through the eyes of a typophile.
Laser-cut acrylic necklaces…
…and rings
for the ultimate in beautiful, witty, typographical (okay, nerd) accessories.
Okay, uber nerd:
All from Plastique’s etsy store.
Now hurry along with credit cards a-flashing, dear fontgeeks. Stocks are limited, and I need someone to buy them out before I surrender to temptation.
Verdana is IKEA’s font of the futura. August 25, 2009
Posted by Olivia McDowell in Blogging, Design, Helvetica, The Ether, The News, Typography.Tags: Font, Futura, Helvetica, IKEA, Typeface, Typography, Typophile, Verdana
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03.09.09 UPDATE:
- Great coverage of the issue on idsgn.org, which, I have just discovered, is a Bloody Brilliant Blog (BBB).
- You can sign the anti-Verdana “IKEA please get rid of Verdana” petition here.
- And TIME.com has even cottoned on to the debacle: The Font War: Ikea Fans Fume Over Verdana.

{ from Please Copy Me, via user Raumschiff on Typophile }
After 50 years, IKEA is changing its font from Futura to Verdana.
{ Follow through for the full story & discussion on Typophile.com }
I love IKEA. I can honestly attest that almost every item of furniture I have ever owned (since childbirth) has been from IKEA. IKEA is the Helvetica of the furniture world. It is a blank canvas. A neutral. Sufficient character to stand up on its own (pun intended), but muted enough that it doesn’t drown out what you’re really trying to say * .
I also love the kooky IKEA language, and the crazy nomenclature around which it is built. A mirror known as FRÄCK; a tiny plush owl toy called SOT; a computer table that answers to the name DAVE. Every book I’ve ever owned has lived on a BILLY bookcase.
Part of me worries that none of these will look or sound quite so Scandinavianly edgy when printed in Verdana…
*Probably something along the lines of “I like low prices, simple lines, white-on-white, and am handy with an Allen key“.
More perfect than Helvetica? Now THAT is true love. July 18, 2009
Posted by Olivia McDowell in Art, Helvetica, Pretty!, Typography, Words.Tags: Helvetica, Love, Typography
3 comments
More perfect than Helvetica?
Now THAT is true love.
(Or just very, VERY good blandishment.)
{ by The Voice That Said via Don’t Touch My Moleskine }
Breaking News: I Like Stationery! June 30, 2009
Posted by Olivia McDowell in Art, Design, Laughing, Pretty!, Typography.Tags: Get The Hint, Post-its, Stationery, Sticky notes, UrbanOutfitters
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I adore the colour scheme here.
And the simple, blocky font.
And the post-it factor.

Get The Hint Stickies by UrbanOutfitters, via noquedanblogs.
Good News: Is always welcomed.
Bad News: Can usually be ignored, if you so choose.
You’ll Love This: aka. Thinking Of You + Great Minds Think Alike.
You’ll Hate This: Ditto.
You Won’t Believe This: Would be a GREAT one to stick at the ‘amount due’ end of a credit card/phone/internet bill.
(Imperative directive and Not-so-passive-aggressive options also available.)
Serifically punny May 30, 2009
Posted by Olivia McDowell in Blogging, Design, FFFFOUND!, Laughing, The Ether, Typography.Tags: FFFFOUND!, Punilicious, Puns, Serifs, Typography
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{ By Toga22 on Loiter, via FFFFOUND! }
I hear this was a real chart-topper for Bold Marlett and the Webdings…
(The pun is in the de-tail.)
Ampersand another thing… May 28, 2009
Posted by Olivia McDowell in Art, Design, Etcetera, FFFFOUND!, Pretty!, The Ether, Typography, Words.Tags: Alphabet, Ampersand, Behance, Etymology, FFFFOUND!, Obscure words, Typography, Veer
3 comments
I was asked last night how often I update my blog. I couldn’t think of a word that meant “seldom, but only while I’m stupidly busy: when I’m less busy… more often”. In retrospect, maybe “erratically” would have been a good response. & so, to atone for my neglect, in the words of Blue Peter, here’s one I made earlier…
I really think that the ampersand is underused, underrated, undervalued, underappreciated, &, well, underloved.
{Bark chip ampersand, by Sarah France, via the blog The Ampersand, via Behance, via FFFFOUND! }
Once upon a time, & was deemed such a natural part of the alphabet than when children recited their ABCs, they concluded with “et per se and“. As in, ‘X, Y, Z… and, for that matter “and”, because it too is a letter’. After time, this was garbled into “ampersand”, in much the way that L, M, N, O, P becomes elemenopee in the mouth of a 5-year-old. Now I know all this to be true not only because of the eternal font of unvalidated wisdom that is Wikipedia, but also because I was told the same story by the other most authoritative of unauthoritative sources, My Father, years before the internet was around to sully our ‘Did You Knows’ with false folklore.
& so… here are some ampersands… &c.
MUST HAVE! A deluxe carrying case for an ampersand! { more adorableness by Marc Johns }

Ampersand cushion at loremandipsum’s etsy store (sold out, but they still have CHOUETTE ampersand tees for sale!) { via FFFFOUND! }

Handmade clay ampersand by Lestaret { via NOTCOT }

Ampersand cookies (“They exist.”) { via The Ampersand again }
Veer did have these rockin’ ampersand cufflinks, once upon a time. Blogger’s remorse: I should have posted these when I first saw them on NOTCOT (a long time ago), but instead filed it away under “For When There Is More To Say On The Topic Of Ampersands”. So now (and for a long time) the Veer merch shop has ceased to exist, and by necessary deduction, also ceased to have the cufflinks. It’s probably for the best. I was always tempted to the verge of covetousness by unshippable Veer merchandise. [ EDIT: Veer store most certainly does exist at the above link. Ampersand cufflinks for all! (er, if you live in North America) ]
& on that note, it’s back to work.
Font Poetry: Starting a meme May 21, 2009
Posted by Olivia McDowell in Art, Blogging, Etcetera, FFFFOUND!, Pretty!, Typography, Words.Tags: Alice in Wonderland, Amalia, Basho, FFFFOUND!, Gotham Narrow, Haiku, Hoefler & Frere-Jones, James Joyce, Nikola Djurek, Poetry, Typeface, Typography
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Confession: I have fallen head over heels in love with the delicate, poignant, meaningless poetry of typeface samples.
Amalia
Designer: Nikola Djurek.
Print Foundry: OurType.
Found: via FFFFOUND!, via AisleOne
Mainly this calls for no effort from me, and is therefore a greedy, parasitic indulgence on my part. But sometimes the prettiest words need to undergo a bit of picking and choosing to turn them from Joyce into something bite-sized, like Bashō. Case in point: this sample grid for Gotham Narrow from Hoefler & Frere-Jones could be a ballad of epic proportions…

…but I like it better paraphrased into this charming little verse:
Hawkweed Foster House,
Collective Gingerbread;
Copperware Gothic Revival,
Gourmand Gristmilling,
Corinthian Order.
Gotham Narrow (abridged)
Designer: Frere-Jones (from the original Gotham, circa 1930s)
Print Foundry: Hoefler & Frere-Jones
Found: via Seannamon
Now, as far as filler text and typeface samples go, typographic poetry runs rings around the quick brown fox, and has far more individual character than the oft-repeated, famously nonsensical lorem ipsum.
It did get me wondering, though: Who chooses the content of these beautiful little odes? Is it a matter of science and reason, or just a happy mish-mash of randomly chosen words? Can someone from the world of typography please put an end to my ignorance?












